The focus of our upcoming exhibition, ‘Still, Alive: The Quiet Continuum’, still life art represents subjects that are unmoving, whether natural or man-made. From the humble bowl of fruit to the well-loved teacup, this genre asks ask us to reconsider the familiar. But what exactly makes a work of art a ‘still life’?
Unlike portraits, which capture people, or landscapes, which portray the natural world, still life invites artists to look closely at the objects around them. Rather than telling dramatic stories or recording historical events, these works of art celebrate the beauty, symbolism and quiet wonder of ordinary things.
Despite its popularity today, still life was once considered the underdog of the art world. The French Academy dismissed it as the lowest genre because it did not feature grand historical scenes or heroic figures. But artists recognised something others overlooked: even the simplest objects could reveal endless possibilities. Still life became a space for experimentation, allowing painters to explore colour, composition and perspective.
Philippe Le Miere 'Alice's Absence'
Still life paintings can also carry hidden meanings. For Renaissance artists, skulls, fading flowers and overripe fruit were often used in memento mori paintings to remind viewers that life is fleeting. Lavish displays of food and wine could serve as warnings against excess, while also celebrating life’s pleasures. Layered in interpretation, these paintings found beauty and meaning in the familiar.
For many artists, turning their creative lens on domestic objects offered an opportunity to quietly push boundaries. Perhaps that is the enduring appeal of still life: it encourages us to slow down, look closely and find wonder in the everyday. After all, extraordinary stories can sometimes begin with nothing more than a piece of fruit and a well-placed teacup.
Still, Alive will continue from June 19 to July 11, 2026.