(1891-1974)

Born in Scotland, Ian Fairweather initially trained as an army officer before pursuing painting at the Slade School of Fine Art in London. After arriving in Melbourne in 1934, his talent was quickly recognised by prominent figures in the local art scene, including George Bell and art entrepreneur Gino Nibbi. Despite a nomadic lifestyle that often saw him living in poverty abroad, Fairweather remained committed to his practice, producing drawings and paintings using whatever materials were available to him.

During his time in Australia, Fairweather settled momentarily in Darebin of Melbourne at the house of fellow artist Lina Bryan, before moving north in 1938 to live amongst a local indigenous community near Cairns. Rich with experience and cultural milieu, Fairweather produced works influenced by his travels and his life in Australia. With influences ranging from Chinese calligraphy, cubism, Australian Indigenous art, coupled with his formal training at the Slade School, Fairweather’s unique style gave way to scenes placing himself as a voyeur. Described as a recluse, Fairweather’s depictions of people hold a certain weight of intimacy. 

In 1953, seeking solitude, Ian Fairweather relocated to Bribie Island, where he would spend the remainder of his life. There, he immersed himself in his practice, producing large-scale paintings and refining the gestural abstract style for which he became renowned. These works were later selected to represent Australia at the 7th Biennale de São Paulo in 1963.

Incredibly prolific and multifaceted, Ian Fairweather’s legacy within Australian art history is one that speaks to his dedication and individuality. His work is held by major galleries in Australia and London, including the Tate Gallery, and the National Gallery of Australia. 

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