George Baldessin is still regarded as one of Australia’s preeminent artists to this day. During his short but influential lifetime he was considered on par with Brett Whiteley, with both artists eschewing the dominant mode of abstraction in favour of lyrical, figurative imagery. Etching for Baldessin represented a field for innovation free of the physical and financial restraints of sculpture.

A bold etching by Baldessin, 'Performer' is a pivotal work in his thematic exploration of performers and the body. The abstracted figure is contorted into a dynamic pose, yet her face remains firmly outward, pinning the viewer with a calculating, challenging gaze. The work recalls the scandalous directness of Édouard Manet’s Olympia, another commanding personage in the history of modernism, situating Baldessin’s figure within a lineage of provocative and confrontational imagery.

Baldessin’s 'Performer' stands as a bold and pivotal etching within his exploration of the human figure and the theatre of performance. For collectors, Performer represents not only a striking example of Baldessin’s technical mastery and thematic depth, but also a rare opportunity to acquire a work that embodies his enduring contribution to Australian modernism.

George BALDESSIN (1939 - 1978)
'Performer' 1968
coloured etching and aquatint on paper
Image Size: 38 x 50 cm
Framed Dimensions: 61 x 72 x 3 cm 
Signed: Signed, titled dated, and editioned 'Ed. 25 'Performer' George Baldessin 68' under image
Comes with Letter of Provenance

Literature: 
Kolenberg., J., George Baldessin Estate: Prints 1963 - 1978, Australian Galleries, Melbourne, 1997, p.46, cat.163 (illus., another example).
Lindsay, R. & Holloway, M., George Baldessin: Sculpture and Etchings, National Gallery of Victoria, Melbourne, 1983, p.72, cat.51 (another example).
Edquist., H., George Baldessin: Paradox & Persuasion, Australian Galleries, Melbourne, 2009, p.139 (illus. p.138, another example).

Condition: The work is in fair condition, consistent with its age and materials. There is some discolouration across the surface, along with areas of staining to the paper support. Overall, the work remains stable. While these condition issues are noted, conservation is considered straightforward with the expectation of a very  favourable outcome. We can assist with paper preservation if desired, including washing the sheet to reduce acidity and improve its long-term stability. 

The frame is in fair condition, some damage to lower right.

(c) George Baldessin / Copyright Agency