Sydney Ball 'Canto no XVII'

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Sydney Ball is Australia’s foremost pioneer of abstract art, whose work is marked by an instinct for the cutting-edge. Throughout his long and successful career, Ball explored many styles across his printmaking, painting and drawing including Hard-edge Abstraction, Colour Field and Lyrical Abstraction. However, it was his undying love for colour and its ability to add music to a simple form that earned him his reputation as a master composer of graphic harmonies.

The "Canto" series is an exquisite example of the refined, finished quality that has come to define Ball's abstract forms. Compelling in their symmetry and their striking, intense colours, the "Canto" series is one part abstraction, and one part spiritualism: for Ball, the circle is the ultimate 'symbol of infinity'. Working with Michelle Perry at Marnling Press in Sydney, Ball discovered and was enthralled by the multi-dimensionality of metallic paints, added to later works in the "Canto" series. This discovery transformed Ball's work, adding new levels of depth and complexity.

These works also tell of Ball's time spent living and painting in America, where he was heavily inspired by Colour Field and Abstract painting during the 1960s. Similarly, his series was titled after the American poet and author Ezra Pound's "The Cantos" - a series of deeply intellectual musings on life and Government during the post-war period.

Elegant and achingly beautiful, and collected by institutions widely including The Art Gallery of New South Wales - Sydney Ball's "Canto" series is nothing short of significant. An astoundingly sophisticated addition to any collection of Modern and Contemporary art.


Sydney BALL (1933 - 2017)
'Canto no XVII'
screenprint on paper
Image Size: 49 x 57 cm
Dimensions: 58 x 77 cm
Signed: Signed Sydney Ball

Comes with Letter of Provenance

Condition: Very Good: Describes a work of art's image as Excellent, but may show some small signs of surrounding wear to paper or frame. There are no tears to paper margin or disruption to the paint surface.

(c) The Artist or Assignee