Core to Sidney Nolan’s legacy is his unique fusion of myth and modernism. While best known for his Kelly series, Nolan’s gaze extended far beyond bushrangers—toward stories of loss, failure, and resilience, both in Australian history and beyond.

During his travels, Nolan developed a deep affinity for Greece, drawn to its rich tapestry of myth that resonated with his own Australian identity and mythology. In 1966, he was immersed in creating several significant works, including his notable Trojan Women series. As with many of his creative pursuits, Nolan became quietly obsessive, deeply absorbed in Homer’s Iliad and the broader world of Greek mythology.

In depicting the story of Troy in his signature style, Nolan reduced figures and symbols to their most elemental forms—simplified, almost naïve line drawings that captured the emotional essence rather than detailed realism. Yet, even in this ancient subject matter, he retained a distinct Australian sensibility. The works evoke the parched earth, dust, death, and searing sun of the outback—his own mythic landscape.

‘Trojan Women’ centres on the women of Troy—likely Hecuba, Cassandra, and Helen—represented symbolically by three circles on the reclining figure’s body. The expression of despair reflects the harrowing aftermath of the Trojan War and the suffering endured by its women. The inclusion of the horse subtly invokes the iconic symbol of the war and the deception that led to Troy’s downfall. For collectors of significant Australian artists and those drawn to historical narratives, it offers a rare opportunity to acquire a piece that confronts both history, myth and mortality.

Nolan is represented in every state gallery and internationally at New York's Museum of Modern Art and London's Tate. Elegant and enigmatic, his work is a prize for collectors of powerful Australian art.

Sidney NOLAN (1917 - 1992)
'Trojan Women' 1966
mixed media on paper
Image Size: 63 x 52 cm
Dimensions: 63 x 52 cm
Signed: signed and dated '27th June 1966/ nolan' verso

Comes with Letter of Provenance

Condition: Very Good

(c) Sidney Nolan / Copyright Agency